Entwine emerges through a process that prioritizes movement, suspension, and material responsiveness. Thin leather elements are individually cut and layered, then hand-assembled onto a wooden support while remaining partially unbound, allowing the material to curve, fold, and overlap freely. Rather than enforcing a fixed form, the leather is encouraged to “play,” responding to gravity and air to create flowing contours and dynamic shadow-lines. The negative spaces between layers are treated as equally significant, activating the surrounding wall as an extension of the composition. Light becomes a collaborator, shifting the work’s appearance throughout the day as shadows deepen and soften. Drawing from textile drapery and bodily gesture, the making process is slow and tactile, emphasizing handwork and material intuition. The piece balances control and spontaneity, where structure supports movement without containing it.

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